Patrick Williams and Laura Chrisman, eds., Colonial Discourse and Post-Colonial Theory: A Reader (Hemel Hempstead, U.K.: Harvester Wheatsheaf, 1993)

Frantz Fanon, The Wretched of the Earth, trans. Constance Farrington (1961;48 GEORGINA BORN AND DAVID HESMONDHALGH reprint, Harmondsworth: Penguin, 1983); Edward Said, Orientalism (New York: Pantheon,1978).

the east

the orient

Homi Bhabha, “The Other Question: Stereotype, Discrimination and the Discourse of Colonialism,” in The Location of Culture (1983; New York: Routledge, 1994).

Benita Parry, “Problems in Current Theories of Colonial Discourse,” Oxford Literary Review 9 (1987)

Stuart Hall, “When Was ‘The Post-Colonial’? Thinking at the Limit,” in The Post-Colonial Question: Common Skies, Divided Horizons, ed. Iain Chambers and Lidia Curti (New York: Routledge, 1996), 257.

Both quotations from Nicholas Thomas, Colonialism’s Culture: Anthropology,Travel and Government (Cambridge, England: Polity Press, 1994), 58. In theorizing agency and practice, Thomas draws on Pierre Bourdieu, Outline of a Theory of Practice (Cambridge: Cambridge University Press, 1977).

Locke, “Constructing the Oriental ‘Other,’” 263. Locke’s wider analysis of Orientalist operas is given in his “Reflections on Orientalism.”

Locke, “Constructing the Oriental ‘Other,’” 263.

Ibid., 271.

Locke, “Reflections on Orientalism,” 61–2. See also Paul Robinson, “Is Aida an Orientalist Opera?” Cambridge Opera Journal 5 (1993): 133–40.

Both quotations, Taruskin, “‘Entoiling the Falconet,’” 255.